From another perspective, you can freely explore the enormous landscape of sound produced by FM synthesis, without diving into the deep end of DX7 programming. I could see how someone could conclude that this destroys the reproducibility advantages of digital FM synthesis, while preserving the cheesiness of FM sounds. In contemporary modular synth formats, you now have modules that use similar FM tone chips, but are controlled by potentiometers and analog control voltage inputs (for instance, ). Reading this really drove home to me just how amusing some of the twists and turns of music tech development are.
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